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In a review of Painful Summer -- their film about two eighteen-year-old girls who are punished with spankings while visiting a relative's mountain house -- David Pierson, of Consumer Spanking Video News and Reviews, celebrates "the interplay between submissive and dominant performers." A professional psychoanalyst and self-styled spanking-media critic, Pierson calls Real Spankings "the leader of the new-wave movement in spanking video erotica."

With over a thousand hours of locally filmed videos, a massive database of pictures and a strong customer-service approach, Masterson has earned a loyal following in the spanking world. In addition to satisfying the more than 5,000 members who pay a monthly fee ranging from $17.95 to $24.95 for access to the original content on each of five subscription sites (or $59.95 for the Real Spankings Pass, which covers admission to all five), Masterson and his twenty employees maintain twenty free websites, including a directory of the "Top 100" Internet spanking websites and Mr. M's frequently viewed blog. They also run the forum site [redacted], an "online community for spanking enthusiasts" that has over a thousand members. A hundred or so active posters contribute to discussion threads about paddle markings and their favorite models, as well as requesting specific spanking scenarios from the Real Spankings staff.

From their four-level studio in a converted turn-of-the-century house in central Denver, Masterson and company quietly whack out 24 to 30 scenes a week, spanking two or three models a day. But there is nothing muted about the actual sessions they film: [redacted] advertises that its videos and photos are of "spanking discipline and corporal punishment from real discipline sessions." Masterson says his sites specialize in "severe" spanking, and in an effort to re-create for his audience the same sensation he felt when he first viewed the black-and-white schoolgirl photo -- the excitement of observing a painful punishment -- he strives for only the most realistic spanking portrayals.

Depending on the model's pain tolerance, spankers use everything from hands and belts to leather straps, paddles and canes. While other spanking-fetish producers create content that's more violent, if a web surfer is looking for presentations of playful pre-lovemaking spanks, Real Spankings is not the place. The company's massive electronic archives contain no actual sex outside of a few examples of girl-on-girl play and maybe some female masturbation followed by naughty-girl punishment by an authority figure. What the websites do show is lots and lots of red asses, which also run the scale of severity. Some of the models opt for only a light spanking and walk away with a pinkish behind. Others go for the gusto, and the spankers -- sometimes played by Masterson or his wife, other times by a heavy-hitter from a selective stable of "highly experienced spankers" -- whale on the paid model's ass for up to ten minutes with an implement that can produce welts, swelling, temporary marks and, in the most extreme cases, a dark purple, even brownish, hue. It wouldn't be much of a real spanking if the person being hit didn't experience actual pain, Masterson points out.

There's no orgasm to fake here, just actual pain, as Masterson and his employees thoroughly advise the hundred or so local models they've hired over the past six years.

The harsher the spanking, the more realistic the shrieks of pain, the more true the tears -- and the more enthralled members are that this is as authentic as it gets without actually being real. Pierson credits Real Spankings with making the worldwide spanking industry sit up and take notice. "They've really changed the scene," he says. "They're young and creative, and they took an industry that was old and tired and brought in a new voice. Today I think they're the number-one company in the world. Everyone's caught the wave. Even the L.A. scene is looking to Denver for cues."

The summer before Michael started junior high, his family moved to a small city in Texas, where it wasn't unusual for kids to get a whuppin' from Mom or Dad as a punishment. In his blog, he describes how he tried to get neighborhood girls to talk about the times they were spanked. "While always trying to appear uninterested and casual," he writes, "I pressed them for as many details as I could get without seeming like a pervert."

One of his friends had a younger sister who showed him the little wooden paddle her father had made that was kept on the fireplace mantle. Her mother always did the spanking, which could vary from five to twenty swats, depending on the offense. "It was the first time in my life that I had touched an implement that was designed and used for spanking," he recalls on the blog. It was really just a sanded-down wooden stake, but it looked like it would hurt if used hard enough. He asked the girl if she ever cried during the spankings.

"Hell, yeah," he remembers her replying. "Wouldn't you?"

In high school, Michael was a studious and contemplative young man who enjoyed reading and the outdoors. His school was full of rednecks who always gave him shit for the long hair he pulled back in a ponytail. But he had plenty of friends, and he never confessed to any of them that while they were ogling a pretty girl walking by, all he could think about was giving her a harsh spanking.

Michael went to college at a state school in Texas, where an English professor introduced him to the greats of American literature. His list of favorite writers grew to include Walt Whitman, Ayn Rand, Sylvia Plath, and especially Kurt Vonnegut. As he sought to understand the roots of his strange desire, he cultivated an interest in the inner workings of human behavior; he was fascinated by the relationships and rituals of these spanking rites.

So naturally, he joined a fraternity that provided a platform from which he could explore his hidden intrigue. He subtly prodded sorority girls for accounts of their paddlings -- not a form of discipline, but a fun-filled voluntary ritual meant to bond the pledge with the member doing the paddling and the group as a whole. Although by then he knew that the discipline aspect of spanking excited him most, he compiled details about who in the sorority held the paddle, the size of the paddles, how many sisters looked on. And did they swing with one hand or two?

At a party at his frat, he met a fellow student who would become his wife -- and later, the woman who would be widely known in the spanking world as Ms. J. They began dating and soon realized that they were both into the darker aspects of sexual play. As their relationship got more serious, they slowly began a bedroom education in various S&M endeavors. Sometimes she would be the submissive and let him spank her; other times they'd switch roles and he'd be on the receiving end of a dominant female.

It was good fun -- but in many ways, this experimentation was also an extreme exploration into the complicated depths of sexuality and the human psyche. That fit with their educational choice: Masterson and his wife earned master's degrees in psychology from a private university in Texas and began Ph.D. programs to become psychology professors themselves.

In 1997, they were both working on their dissertations (his focused on motivation in a work environment, hers on attitudes and stereotypes) when they decided that daycare wasn't a good environment for their young daughter. They wanted to hire a nanny, but for two doctoral students, money was in short supply. Still, they had something in abundance: a healthy interest in spanking.

While spanking was something they'd lovingly administer to each other in the bedroom, they'd agreed on a no-spanking rule for their child -- a policy they extended when they had two more children. "My kids do not even know what spanking is," Masterson says adamantly, a sentiment he reiterates numerous times on his blog. "Spanking sucks as a way to raise your child. I don't think spanking is an effective form of discipline; time-outs are much more effective."

So, with no small sense of irony, the parents took to spanking themselves for the benefit of their child. To earn extra cash, Masterson put up a small website with photos of him and his wife, their faces blurred, spanking each other in their bedroom. At the time, the adult industry on the Internet was mostly uncharted waters, full of porn pirates out to jack customers with incessant pop-ups, hidden charges and unfulfilled promises of quality content. And few fetish sites offered any Internet-specific spanking pics or video. "There were companies that were converting the videos they already had and putting them online," Masterson recalls, "but no one was actually filming solely for the purpose of putting it on the web."

The site got so many hits so quickly that Masterson posted more photos and videos and started requiring membership. He and his wife connected with other spanking enthusiasts and held specialized sessions in their basement. Part of the site's appeal was the sense of interactivity it offered. "Every week we would ask, 'What do you want to see on the next update?' People would send e-mails, and, if possible, we would film what they wanted to see," Masterson explains. This reciprocation with members became the foundation of their company, giving fellow fetishists the feeling that they had a hand in creating the scenes.

Within a year, the couple was making more money with the web than they would have as psychology professors, so they decided to go full-time with their company. Since they could do their work anywhere, they decided to move to Colorado -- where they could raise a family outside the conservative stodginess of Texas and enjoy the outdoors during their free time.

A more obvious relocation choice for a brand-spanking-new spanking business might have been Van Nuys, California, then widely regarded as the porn-industry capital of the world. But Mr. M and Ms. J wanted to take their company in a different direction, one that wasn't guided by adult-industry norms.

"Most adult producers go into the industry not giving a shit about what the model is feeling," Masterson says. He credits his psychology background with helping him "understand what is wrong with the process of the adult industry and the things that give it a negative feel to the public -- that there are these money-hungry people out there who are there to objectify women and take advantage of them and pay them as little as they can. I think it has helped me combat some of that in the way we deal with some of our models."

The family moved to a mountain town outside of Denver in late 1998. Mr. M and Ms J started out making spanking videos in their house, using women who'd contacted them through their website. In one year, the business had grown enough that they could rent a studio in Denver and hire network technicians, graphic designers, webmasters, model managers and customer-service representatives. In 2003 they moved again, into their current, 4,000-square-foot studio.

Today, Real Spankings is the largest producer of original adult content in the state. Not that there aren't other porn-centric corporations in Colorado. Boulder's New Frontier Media is one of the world's most profitable and prolific adult-entertainment ventures, generating $42.9 million in revenues last year. But as CEO Michael Weiner is quick to point out, his Wall Street-traded company does not produce any content, but rather contracts with more than fifty studios in other states and then peddles their materials through a high-tech distribution service that includes video on demand, broadband, cable and satellite. Other porn producers in the area range from small-time startups that run their own websites, to freelancers for bigger companies in California, to the ever-sketchy dude with a digital camera who's more interested in getting laid than paid.

In contrast, Masterson says his company has made a concerted effort to create an environment with a strong female influence, hiring longtime models into production and establishing an atmosphere that's more front-office than back-alley. It's because of this, he believes, that Real Spankings has such a high return rate among models. Whereas California producers are clamoring for spankable talent, Masterson insists that every single Real Spankings model has returned for another session. "We're very clear that while it's an adult-based company, we've never treated it that way," he says. "We treat this like a normal job. You can't be late. If you don't show up, you don't have a job. We try to let them know that we're not just some casual, fly-by-night company. We take this all very seriously."

"That's all bi stuff," Kailee says, motioning to the blue Rubbermaid bin reserved for dildos and vibrators. Wearing a white T-shirt, jeans and flip-flops, she leans casually against the doorjamb between the spanking-implement storage closet and the attic bedroom where Real Spankings films many of its dorm-room scenes and an occasional girl-on-girl spanking. On the floor below are several more dorm bedrooms, as well as rooms that look like school classrooms, with desks and chalkboards. In the basement, stone walls create the perfect setting for dungeon-like, torture-style spanking scenes.

Kailee points her long eyelashes downward and reviews the tools of her trade like a carpenter at his workbench -- purple ones, clear ones, ones adorned with what look like butt-ticklers. Most of the implements in Real Spankings' immense collection are provided gratis by spanking-specific companies. She spots one apparatus that's been mistakenly placed in the straps hamper. "Oh, that's not right," she says. She leans in and retrieves the device, some sort of plastic truncheon club mounted with what looks like a vibrating doughnut. She curls her lip and drops it in the container used for lesbian spanking scenes, then closes the lid. "I'm not really into that thing," she laughs. Though she's been filmed doing some open-mouth kissing with other models, she doesn't do any below-the-belt stuff. That's one of her rules. Besides, she finds pain more exciting.

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